Ten Days on the Island Artistic Director David Malacari reflecting on what he’s seen and what he’s thinking about in terms of the 2017 Festival program:
‘But then there are the amazing things. A Korean re-imagining of a Marquez tale in traditional Korean pansori style, or a performance installation in an old water pumping station at night time where a small audience, armed with torches, was led down through the vast concrete halls of an abandoned complex that has been turned over as a venue for street artists.
Wouldn’t that be something to wish for in Tasmania – a venue in which young artists could experiment and expand their craft and imaginations – really turning Tasmania into a creative state? Macquarie Point? Inveresk? An old hydro facility somewhere on the island? The old Burnie paper mill?’
Yes! Yes please … keep thinking in this direction. As much as I’ve enjoyed a number of outstanding mainstage shows it’s the unusual venues and experiences that (personally) really enliven and enrich my experience (as creator and/or audience).